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I’m a Los Angeles–trained makeup artist specializing in film, editorial, and camera-ready beauty.
My work combines technical precision with a strong understanding of how makeup translates on camera, from natural skin-focused looks to more refined editorial styles.
With professional training in Hollywood and on-set experience in international documentary production, I approach each project with attention to detail, efficiency, and a collaborative mindset.
I focus on creating clean, consistent results that support performance, lighting, and storytelling across film, photography, and creative productions.
Consistency across every take.
Certified Makeup Artist (CMA)
Master of Beauty & Camera Makeup
TRAINING
Professionally trained in Los Angeles, I completed advanced makeup programs focused on beauty, editorial, and camera-ready techniques for film and photography.
My training included over 600 hours of hands-on instruction covering skin preparation, color theory, product knowledge, and clean application methods designed to perform under lighting and high-resolution cameras.
I developed a strong understanding of how makeup translates on camera, with an emphasis on natural, refined results that hold across different lighting setups and shooting conditions.
Training was completed at Cinema Makeup School and Hollywood Makeup School, with a focus on beauty and camera-based makeup for film, photography, and production environments.
Clean. Precise. Consistent.
Experience
I have worked as a makeup artist in both training and professional production environments, building a strong foundation across beauty, character, and camera-ready makeup.
My on-set experience includes working on an international documentary production filmed across South America, where I was responsible for makeup application, touch-ups, and maintaining continuity across multiple filming days. This experience required working efficiently under real production conditions, adapting to changing environments, and supporting both talent and crew throughout the shoot.
In addition to documentary work, I have contributed to commercial and studio-based projects with Stone’s Hill Productions and Palm House Studios, supporting makeup for on-camera talent in controlled production settings.
My background also includes extensive hands-on training across a wide range of techniques, including beauty, editorial, character work, prosthetics, and creative makeup. This has allowed me to develop versatility while maintaining a consistent, clean approach designed for camera and lighting.
I am comfortable working in fast-paced environments, collaborating with production teams, and delivering reliable, camera-ready results across different types of projects.
ROB MICAI
Executive Producer / Director
Skystorm Productions
Fran brings professionalism, strong attention to detail, and a clear understanding of how makeup supports storytelling. She handled multiple talent per day, creating period-accurate looks across different ages with confidence and efficiency.
She thinks quickly, adapts under pressure, and delivers consistent, camera-ready results. Beyond that, she’s positive, easy to work with, and a great fit within any crew.
I’d gladly work with her again and highly recommend her.
Bob M Scott
Francisca is awesome. I worked with her in Chile on the docuseries Eliseo, where she handled makeup for period recreations with speed, precision, and a strong eye for camera.
She was always dialed into the monitor, making smart adjustments to ensure every look held on screen. Her work is consistent, professional, and production-ready.
On top of that, she’s a great collaborator—positive, easy to work with, and a natural fit on set. I’d gladly work with her again.
Director of Photography
On-Set Approach
I bring a calm, focused presence to set, working closely with talent and crew to ensure makeup remains consistent, clean, and camera-ready throughout the shoot.
My approach is detail-driven and adaptable, allowing me to work efficiently under changing conditions while maintaining continuity across takes and filming days.
I prioritize hygiene, organization, and clear communication, supporting both performance and production without slowing the pace of the day.
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